Name: Pointless Nostalgic
Brand: Candid
SKU: 744691
Price: 6.33 GBP
Availability: InStock

Pointless Nostalgic

By Jamie Cullum

Rating

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Format

CD (1 Disc); Stereo

Release Date

23 September 2002

Album: Pointless Nostalgic
#	Song Title	Time
1)	You and the Night and the Music
2)	I Can't Get Started
3)	Devil May Care
4)	You're Nobody Till Somebody Loves You
5)	Pointless Nostalgic
6)	In the Wee Small Hours of the Morning
7)	Well You Needn't
8)	It Ain't Necessarily So
9)	High & Dry
10)	Too Close For Comfort
11)	Time For Love, A
12)	Lookin' Good
13)	I Want to Be a Popstar

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£6.33

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£14.60

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EAN

0708857978229

Writer

Jamie Cullum

Studio/Live

Studio

Label

Candid

Dimensions

12.6 x 14.8 x 0.8 centimeters (0.07 kg)

Performer Notes

Personnel: Jamie Cullum (vocals, piano); Matt Wates (alto saxophone);
Dave O'Higgins, Ben Castle (tenor saxophone); Martin Shaw (trumpet); Martin Gladdish (trombone); Geoff Gascoyne (bass); Sebastiaan De Krom (drums).
Producers: Jamie Cullum, Geoff Gascoyne, Derek Nash, Alan Bates.
Recorded in 2002. Includes liner notes by Jamie Cullum.
Adapter: Geoff Gascoyne.
Personnel: Jamie Cullum (vocals, piano); Matt Wates (alto saxophone); David O'Higgins, Ben Castle (tenor saxophone); Martin Shaw (trumpet); Martin Gladdish (trombone); Sebastian DeKrom (drums).
Audio Mixers: Derek Nash; Mark Chamberlain.
Recording information: Clowns Pocket Studios (2002); Livingstone Studios (2002).
Photographer: Rowan Smith .
Arrangers: Jamie Cullum; Julian Jackson; Marty Paich; Geoff Gascoyne; Ben Castle.
With a few hard-to-find releases under his belt, Pointless Nostalgic marks the more widespread debut of piano-pounding British crooner Jamie Cullum. Barely in his twenties, Cullum has a wise old rasp that usually takes decades of chain-smoking to acquire. Cullum's move to mix jazz standards, American songbook classics, and contemporary popular music was a risky one that could easily isolate fans of each genre. However, Cullum managed to find a unifying thread in all of the styles, tying them together in a manner that seemed like the natural culmination of a diverse record collection. Jazz plays heaviest in the mix, but Cullum's version of it is lively and roguish. A rock & roll spirit among erstwhile snobs, he brings blue jeans to the beret set. The only real downfall of the album is that the music is often outmatched by Cullum's pipes to the point of distraction. The blaring horns are too often off-key and grating, detracting from an otherwise well-performed album. Highlights come courtesy of Cullum's diverse and well-chosen array of cover songs. While so many Harry Connick, Jr. wannabes stick to the standards and limply mimic moves lifted from Frank Sinatra's catalog, Cullum hops from Radiohead to Thelonious Monk with equal verve and accomplishment. Closing number "I Want to Be a Popstar" is a playful rumination on the advantages of being a pop star rather than a jazz key pounder. The mischievous romp exemplifies the lighthearted approach that has become Cullum's calling card, endearing him to jazzophiles and screaming young girls alike. Cullum's popularity subsequently skyrocketed with 2004's Twentysomething, which exhibited a fuller grasp of his vocal strength and featured a strong backing band to match. On that album, his increasingly scratchy croon wrings every sultry note out of Jeff Buckley's "Lover, You Should Have Come Over," and he puts a sly dance club spin on "I Could Have Danced All Night." Even with the expert selection of covers, however, it's his own cheeky nod to the restlessness of youth, "Twentysomething," that steals the show. ~ Karen E. Graves