A sharp-witted investigation of love, work, and human responsibility in the age of consumption and hyperexposure.
"[Moschovakis'] poems illuminate, amuse, and provoke. Plato would have loved them."--Ann Lauterbach
In a world where we find "everything helping itself / to everything else," Anna Moschovakis incorporates Craigslist ads, technobabble, twentieth-century ethics texts, scientific research, autobiographical detail, and historical anecdote to present an engaging lyric analysis of the way we live now. "It's your life," she tells the reader, "and we have come to celebrate it."
A sharp-witted investigation of love, work, and human responsibility in the age of consumption and hyperexposure.
"[Moschovakis'] poems illuminate, amuse, and provoke. Plato would have loved them."--Ann Lauterbach
In a world where we find "everything helping itself / to everything else," Anna Moschovakis incorporates Craigslist ads, technobabble, twentieth-century ethics texts, scientific research, autobiographical detail, and historical anecdote to present an engaging lyric analysis of the way we live now. "It's your life," she tells the reader, "and we have come to celebrate it."
Anna Moschovakis is a writer, translator, and editor with an interest in crossing modes of poetry, narrative, philosophy, and documentary prose. She's the author of three books, including You and Three Others Are Approaching a Lake (Coffee House 2011, winner of the James Laughlin Award) and They and We Will Get into Trouble for This (Coffee House 2016), and more than a dozen chapbooks.She is a longtime member of the Brooklyn-based publishing collective Ugly Duckling Presse, and in 2015 she co-founded Bushel, a collectively run art and community space in Delhi, NY.
2011 James Laughlin Award Winner (Poetry Society of America)
Coldfront’s Top 30 Poetry Books of 2011
“Anna Moschovakis boldly writes as though Plato had never kicked
poets out of the Republic, and in You and Three Others Are
Approaching a Lake, she takes up the citizen’s task of thinking
through political and existential issues relevant to lives lived in
increasing dependence on internet access and globalization both.
Her manner, however, resembles philosophy only in its reliance on a
grammar of apparent objectivity: “We start not with theory,” she
proclaims, “but with tangible performance,” “with experience,
magic/genuine science.” Beneath their controlled and imperturbable
surfaces, her poems perform the painful experience of the
complicity with injustice that comes with citizenship—while
lamenting colonization, opportunism, and capitalism, her poems
search themselves for the common root of the urge toward empire,
asking: “is it more than you would have done?” At its most
critical, this searching reveals the “underbelly” of each of her
many subjects: industry leads to waste, labor leads to boredom,
wealth leads to guilt, and intimacy leads to misprision. But this
ambitious and compassionate book also believes—or hopes—that
mindful attention to language might happily lead us elsewhere,
toward other economies, other ways of being here together. “One
letter at a time we build relationships,” Moschovakis declares,
“even though the letter is only a virtual letter and the labor,
such as it is, is free.”—Brian Teare, The Academy of American Poets
2011 James Laughlin Award Citation
“[You and Three Others Are Approaching a Lake] is easy-on-the-ear,
accessible, wise, and funny, such as the observation that ‘The
island turned over / is a canoe,’ as well as a series in which a
human Anna tells her imaginary robot counterpart things like,
‘human nature has changed since yesterday.’ She takes on the big
questions by way of unusual details.”—Bookforum
“In the stark, analytical poems that make up You and Three Others
Are Approaching a Lake, Moschovakis assualts materialism, waste,
and the internet and repossesses elements of that culture in her
poems — Craigslist ads, Wikipedia articles, and MySpace posts — in
such a way that proves how demoralizing it can all be. . . . I
enjoy and appreciate her philosophically bent poetry, her austere
use of language, and the sense of violence that charges her
poems.”—San Francisco Bay Guardian
“Moschovakis shows us how it feels to want answers to certain kinds
of questions, to see processes and seek causalities, and then get
stuck in hermeneutic circles instead. . . . You and Three Others
Are Approaching a Lake feels like a book of erasures and extracts:
mysterious, haunted, terse.”—Stephen Burt, The Nation
“A biting cultural study of our technological habits . . . a
forced, and imperative, reconsideration of the world we inhabit and
mindlessly exploit.”—Coldfront Magazine
“You and Three Others Are Approaching a Lake is that rare book
capable not only of giving its reader something new, but also of
pointing out that which is so salient about our lives we no longer
see it. With You and Three Others Are Approaching a Lake, Anna
Moschovakis establishes herself as the T.S. Eliot of the Internet
generation.”—H_NGM_N
“Moschovakis’ prizewinning second collection presents poems that
are precise, yet surprising in the liberties they take, the paths
they follow, the tangents they explore.”—Chronogram
“Moschovakis has captured the essence of the poetic enterprise. . .
. This is a tremendously exciting book that balances lyrical
impulses, family stories, anthropological and historical realities,
and metaphysical inclinations. The variety of forms; an astute
sense of timing; restraint from excess juxtaposed with exuberance,
where appropriate; and the forward motion of an original
intelligence at work create an appealing, satisfying, and inspiring
set of poems.” —New Pages
“You and Three Others never loses focus of its concern with selves,
and demonstrates a rare ability to speak convincingly about said
selves through a complex web of modes that maintains a lyric voice
while simultaneously critiquing the means that voice chooses. That
Moschovakis is able to keep the emotional energy alive even as her
poems remain unapologetically entranced with the ostensible
anti-poetry of the systems she investigates is a contradiction that
is as impressive as it is satisfying.”—Hot Metal Bridge
“In her second book of poetry, Anna Moschovakis presents an
engaging lyric analysis of the contemporary frameworks people live
within. Ideas about choice (and indecisiveness), consumption,
comfort, indulgence, and the evolution of collective vocabularies
are explored, using the rhetoric of Internet-speak, ethics texts,
historical anecdotes, and argument.” —American Poet
“You and Three Others Are Approaching a Lake might be considered a
journal or notebook of sorts, albeit one whose entries have been
carefully fitted together so as to create resonances beyond the
private, the explicitly political or the lyrical. . . . [T]he
pleasure to be found in Moschovakis’s poetry [is] the way she
theorizes and reflects on the seemingly immeasurable movements of
our broken era. In her books, poetry is enacted as a living,
compassionate and dynamic process.”—Galatea Resurrects
“If the title of Moschovakis’s second collection reads like a
textbook logic problem, it’s because Moschovakis not only confronts
her readers with a series of logical and philosophical dilemmas but
also questions the possibility of such investigation. . . .
Throughout the book, Moschovakis maintains a strongly clinical
detachment even in the face of cultural crisis. Yet if it is
cynicism that drives Moschovakis to inhabit structures of
capitalism, technology, consumerism, Western philosophy, and
religion, the assumption of these various positions nevertheless
allows a necessary poetry of critique: her poems subject each of
these structures to constant, and troubling, poetic pressure from
within.”—Publishers Weekly
"Because I am only one reader approaching a lake, and for me, this
lake is connected to noise and entanglements of vagus nerves
angular and brightly lit, relentless as a sound of information,
relentless as the precise and dynamic upturned canoe of
information--"-The Rumpus
"If history has been the history of systems that turn persons into
functions (human machines), Moschovakis' poetry is a counter-system
whose loving jokes and satiric repetitions reflood machinery with
personhood."—Lana Turner Journal
"You and Three Others Are Approaching a Lake is witty,
thought-provoking, and (for me) impossible to put down."—Loads of
Learned Lumber
"The book fairly bristles with bits and pieces: historical figures
flash by, then a scrap of dialogue, perhaps, then some found text,
then population figures and a résumé, separated by Prisoner’s
Dilemma-type interpositions, like 'A glass of milk / or / a
cigarette / but not both.'”—On the Seawall
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