About the Author

Kateri Akiwenzie-Damm (she/her/hers) is a writer, poet, spoken-word performer, librettist, and activist from the Chippewas of Nawash Unceded First Nation, Saugeen Ojibway Nation, as well as an Assistant Professor of Creative Writing, Indigenous Literatures and Oral Traditions at the University of Toronto Scarborough. She is the founder and Managing Editor of Kegedonce Press which was established in 1993 to publish the work of Indigenous creators. Kateri has written two books of poetry, was a contributor to the graphic novel anthology This Place: 150 Years Retold, was editor of the award-winning Skins: Contemporary Indigenous Writing, and has released two poetry and music CDs. Kateri's work has been published internationally, and she has performed and spoken around the world. (Re)Generation: The Poetry of Kateri Akiwenzie-Damm, a book of collected poems, was released by Wilfrid Laurier Press in 2021 and the translation of her first collection of poetry, Mon coeur est une balle perdue, was released in 2024 by Le Noroît. Her poem restitution OR Nanabush speaks to the settlers was shortlisted for the 2023 CBC Poetry Prize.

Sonny Assu is an interdisciplinary artist whose diverse practice is informed by a deep connection to Kwakwaka’wakw art and culture and melded with
western/pop principles of art making. His work has been accepted into the National Gallery of Canada, Seattle Art Museum, Vancouver Art Gallery and into various public and private collections across Canada, the US, and the UK. He currently resides in unceded Ligwiłda’xw territory (Campbell River, BC).

 

From Listuguj, Quebec, Brandon Mitchell is the founder of Birch Bark Comics and creator of the Sacred Circles comic series, which draws on his Mi’kmaq heritage. He has written five books with the Healthy Aboriginal Network, (Lost Innocence, Drawing Hope, River Run, Making it Right, and Emily’s Choice). Brandon has written and illustrated Jean-Paul’s Daring Adventure: Stories from Old Mobile for the University of Alabama, as well as two Mi'qmaq language-based stories for the Listuguj Education Directorate. He has also completed an art installation for Heritage and Culture New Brunswick. Brandon currently resides in Fredericton, New Brunswick.@writerbrandonmitchell

Of Inuit-Cree ancestry, Rachel Qitsualik-Tinsley was born in a tent on northernmost Baffin Island. She learned Inuit survival lore from her father, surviving residential school and attending university. In 2012, she was awarded a Queen Elizabeth II Diamond Jubilee Medal for numerous cultural writings. Of Scottish-Mohawk ancestry, Sean Qitsualik-Tinsley was born in southern Ontario, learning woodcraft and stories from his father. Training as an artist, then writer, Sean’s sci-fi work won 2nd place at the California-based Writers of the Future contest, published by Galaxy Press. Rachel and Sean have worked for decades as Arctic researchers and consultants. In writing together, they have published 10 successful books and many shorter works, celebrating the history and uniqueness of Arctic shamanism, cosmology, and cosmogony. Their novel, Skraelings: Clashes in the Old Arctic, was a Governor General Awards Finalist and First Prize Burt Award winner.

Of Inuit-Cree ancestry, Rachel Qitsualik-Tinsley was born in a tent on northernmost Baffin Island. She learned Inuit survival lore from her father, surviving residential school and attending university. In 2012, she was awarded a Queen Elizabeth II Diamond Jubilee Medal for numerous cultural writings. Of Scottish-Mohawk ancestry, Sean Qitsualik-Tinsley was born in southern Ontario, learning woodcraft and stories from his father. Training as an artist, then writer, Sean’s sci-fi work won 2nd place at the California-based Writers of the Future contest, published by Galaxy Press. Rachel and Sean have worked for decades as Arctic researchers and consultants. In writing together, they have published 10 successful books and many shorter works, celebrating the history and uniqueness of Arctic shamanism, cosmology, and cosmogony. Their novel, Skraelings: Clashes in the Old Arctic, was a Governor General Awards Finalist and First Prize Burt Award winner.

David A. Robertson (he/him/his) is a two-time winner of the Governor General's Literary Award, has won the TD Canadian Children’s Literature Award, as well as the Writer's Union of Canada Freedom to Read award. He has received several other accolades for his work as a writer for children and adults, podcaster, public speaker, and social advocate. He was honoured with a Doctor of Letters by the University of Manitoba for outstanding contributions in the arts and distinguished achievements in 2023. He is a member of Norway House Cree Nation and lives in Winnipeg.

Niigaanwewidam James Sinclair, PhD., (he/him/his) is Anishinaabe (St. Peter’s/Little Peguis) and an associate professor at the University of Manitoba. He regularly speaks and writes about Indigenous issues for national and international media outlets and his writing appears bi weekly in the Winnipeg Free Press. He has also published short stories in books like The Exile Edition of Native Canadian Fiction and Drama and graphic novels like This Place: 150 Years Retold. He is the 2018 recipient of a National Newspaper Award for best Canadian Columnist and also was named 2019 Peace Educator of the Year by the Peace and Justice Studies Association at Georgetown University in Washington, D.C. Niigaan is co-editor of the award-winning Manitowapow: Aboriginal Writings from the Land of Water and Centering Anishinaabeg Studies: Understanding the World Through Stories and the editorial director of The Debwe Series (published by HighWater Press).

Jen Storm (she/her/hers) is an Ojibwe writer from Couchiching First Nation in Northwestern Ontario. She lives and raises her family, which includes her son, River, and stepson, Axel, in Winnipeg, Manitoba. Jen completed Deadly Loyalties, her first novel, at age fourteen and has continued writing ever since.

Richard Van Camp (he/him/his) is a proud member of the Tłı̨chǫ Nation from Fort Smith, Northwest Territories. He is the author of more than 25 books including The Lesser Blessed (also a feature film), the Eisner Award–nominated graphic novel A Blanket of Butterflies (with Scott B. Henderson), and Three Feathers (also a feature film). He is a contributor to the groundbreaking graphic novel anthology This Place: 150 Years Retold. Richard is also the author of five collections of short stories, including Night Moves, and six baby books, including the award-winning Little You (with Julie Flett).

katherena vermette (she/her/hers) is a Red River Métis (Michif) writer from Treaty 1 territory, the heart of the Métis Nation, Winnipeg, Manitoba.

In 2013, her first book, North End Love Songs (The Muses’ Company) won the Governor General’s Literary Award for Poetry. Since then, her work has garnered awards and critical accolades across genres. Her novels The Break (House of Anansi) and The Strangers (Hamish Hamilton) were both national best sellers and won multiple literary awards.

She is the author of numerous other bestselling titles, including the A Girl Called Echo series (HighWater Press) and the Seven Teachings Stories series (HighWater Press).

Chelsea Vowel is Métis from manitow-sâkahikan (Lac Ste. Anne) Alberta, residing in amiskwacîwâskihikan (Edmonton). Mother to six girls, she has a BEd, an LLB, and a MA, and is a Cree language instructor at the Faculty of Native Studies at the University of Alberta. Chelsea is a public intellectual, writer, and educator whose work intersects language, gender, Métis self-determination, and resurgence. Author of Indigenous Writes: A Guide to First Nations, Métis & Inuit Issues in Canada, she and her co-host Molly Swain produce the Indigenous feminist sci-fi podcast Métis in Space, and co-founded the Métis in Space Land Trust. Chelsea blogs at apihtawikosisan.com and makes legendary bannock.

 

Tara Audibert is a Wolatoqiyik artist, film maker, and illustrator with 20 years’ experience in animation, comics, and fine art. Tara aspires to combine traditional First Nations art and storytelling with contemporary design and digital mediums. She runs Moxy Fox Studio and her first independent animated film The Importance of Dreaming, was released in 2017. She is a founder of the Ni’gweg Collective and the app “NITAP: Legends of the First Nations.”
@MoxyFoxStudio

Kyle Charles is a writer/illustrator living in Edmonton, Alberta. He has drawn for several series including Roche Limit: Clandestiny and Her Infernal Descent. He has also written and illustrated short stories for publishers like Heavy Metal and OnSpec Magazine. When not busy at the drawing table, Kyle spends much of his time teaching comics to local students. He is a member of Whitefish Lake First Nation.

GMB Chomichuk is an award-winning writer and illustrator whose work has appeared in film, television, books, comics and graphic novels. His most recent work with HighWater Press, Will I See?, was a collaboration with writer David A. Robertson and singer/songwriter Iskwē. He writes and/or illustrates occult suspense stories like Midnight City, science fiction works like Red Earth, or inspirational all-ages adventure stories like Cassie and Tonk. He is the host of Super Pulp Science a podcast about how genre gets made. His newest full length graphic novel Apocrypha: The Legend of Babymetal was featured on The Hollywood Reporter, The Nerdist, and Billboard Magazine.

Natasha Donovan (she/her/hers) is a Métis illustrator originally from Vancouver, British Columbia. Her sequential work has been published in This Place: 150 Years Retold, Wonderful Women of History, and Thomas King's graphic novel Borders. She is the illustrator of the award-winning Surviving the City graphic novel series and Mothers of Xsan children's book series, as well as Classified: The Secret Career of Mary Golda Ross, Cherokee Aerospace Engineer. She currently lives by the Nooksack River in Washington State. @natashamdonovan

Scott B. Henderson (he/him) is a freelance illustrator, whose reputation for cultural sensitivity and an openness to listen and learn has garnered a large body of work in collaboration with Indigenous and LGBTQIA+ communities. His work spans several critically acclaimed graphic novels, including 7 Generations: A Plains Cree Saga (Indigenous history & Residential Schools); A Girl Called Echo series (Métis history); A Blanket of Butterflies (2016 Eisner Nomination); a short story in Marvel Voices: Pride #1 (2022); and the post-apocalypse graphic novel, Last Breeds (fall 2024). Scott is a member of the LGBTQIA+ community. He resides in Winnipeg with his partner.

Andrew Lodwick (he/him/his) is the illustrator of The Rebel: Gabriel Dumont and the story "Warrior Nation" in This Place: 150 Years Retold. A lifelong resident of Winnipeg, he has a BFA (Hons) from the University of Manitoba School of Art. Andrew has worked for many years at Martha Street Studio as technician, custom screen printer, and Studio Manager. He also maintains a personal art practice including printmaking and design work, as well as the Riso print collective, Parameter Press (parameter-press.com), which he co-founded in 2014.

Scott A. Ford is an award-winning comic creator, illustrator, and designer from Winnipeg, Manitoba. His comic projects include Romulus + Remus, Giants’ Well, and Ark Land. His work has been featured in galleries and publications, on beer cans and book covers. He has also spoken about his artistic practice at numerous public presentations about art and design. Check out all of Scott’s art and comic projects at scottafordart.com.

Since 1998, Donovan Yaciuk (he/him/his) has coloured books published by Marvel, DC, Dark Horse comics, and HighWater Press including the A Girl Called Echo and The Reckoner Rises series, as well as select stories in This Place: 150 Years Retold. Donovan holds a Bachelor of Fine Arts (Honours) from the University of Manitoba and began his career as a part of the legendary, now-defunct Digital Chameleon colouring studio. He lives in Winnipeg, Manitoba, Canada, with his wife and two daughters.

Ryan Howe (he/him/his) is a Canadian cartoonist who fell in love with comics’ unique storytelling language at some point earlier than he can remember, and has been hooked ever since. He’s been collaborating with other comics creators since 2003, providing art for various projects and genres on both the web and in print.

Jen Storm (she/her/hers) is an Ojibwe writer from Couchiching First Nation in Northwestern Ontario. She lives and raises her family, which includes her son, River, and stepson, Axel, in Winnipeg, Manitoba. Jen completed Deadly Loyalties, her first novel, at age fourteen and has continued writing ever since.

Reviews

This Place is the graphic novel I’ve waited for my whole life, and the graphic novel Canada has needed for 150 years.The stories contained within its pages are both beautifully rendered and vitally necessary. They represent a history not only largely untold and unknown, but one obscured, hidden from sight, so that other stories may occupy a privileged place in defining a national story. Their importance is exquisitely captured on these pages, told by some of the leading artists working today. This is an essential book, for comic fans, teachers, and anyone who wants to learn the stories of this place we now share.
*Jesse Wente, broadcaster and film critic*

Ambitious in scope and strong in execution, this collection succeeds in prompting readers to remember (or learn) Indigenous history 
*The Horn Book Magazine*

An illuminating, self-assured graphic novel anthology in which every panel reads like a radical act.
*Kirkus Reviews*

[A] breathtaking comics anthology...this mix of powerful storytelling and memorable illustrations is a place to begin a dialogue with Indigenous peoples in Canada.
*The Globe and Mail*

this collection provides invaluable opportunity to hear voices that are featured all too rarely in literature and is a worthwhile addition to collections.
*Booklist*

Selected for AICL's Best Books of 2019
*American Indians in Children's Literature (AICL)*

a solid addition to....curriculum...as it specifically addresses social, political, economic and cultural challenges in Indigenous communities. Most importantly, the collection points Indigenous students toward seeing themselves, hearing their own voices and stories, and reading about the perspectives of their ancestors and their communities.
*Professionally Speaking Magazine, Ontario College of Teachers*

This is the power of storytelling. It's going deeper and truer than the history books and the newspaper accounts. It's bringing the stories to the people for the people and doing it for the right reasons: to teach and to illuminate. This Place: 150 Years Retold is the dawn to a new storytelling tradition that doesn't need to be held back. It should be shouted forward from now on.
*CanLit for LittleCanadians*

Selected for School Library Journal's Best Books 2019, Best Graphic Novels
*School Library Journal*