About the Author

Zachary Lazar's previous novel, Sway (Little, Brown), was chosen as a Best Book of 2008 by the Los Angeles Times, and his memoir, Evening's Empire: The Story of My Father's Murder (Little, Brown), was named a Best Book of 2009 in the Chicago Tribune. Lazar is the recipient of a Guggenheim Fellowship, and the Hodder Fellowship at Princeton University. He lives in New Orleans, where he is on the creative writing faculty at Tulane University.

Reviews

"Lazar has created a powerful, infernal prism through which to view the potent, still-rippling contradictions of the late '60s. It's no mean feat. Despite the era's nearly impossible richness, fresh insights are hard to come by."--Mark Rozzo, Los Angeles Times Book Review

"One hypnotic tone poem.... It is not the now-historic acts of violence that make Sway so riveting, but its vivid character portraits and decadent, muzzy atmosphere, all rendered with the heightened sensory awareness associated with drugs and paranoia. The near miniaturist precision with which he describes Keith Richards's attempts to master his guitar, Brian Jones's acid trips and Anger's obsessive desire for Beausoleil bring this large-scale tableau into stunning relief."--Liz Brown, Time Out New York

"Zachary Lazar's superb second novel, Sway, reads like your parents' nightmare idea of what would happen to you if you fell under the spell of rock 'n' roll...Elegant and intricate...this brilliant novel is about what's to be found in the shadows, the most terrifying crannies of twisted souls, the darkest gleaming gems."-- Charles Taylor, New York Times Book Review

As Mick Jagger sang in the 1970 song"Sway," "It's just that demon life has got me in its sway." In Lazar's second novel, he uses a number of real "demon lives" from the '60s-the Stones and their entourage; Kenneth Anger, the filmmaker who shot Scorpio Rising; and Bobby Beausoleil, a musician and Manson family associate-to channel the era's dread and exhilaration. Lazar shows the decade's descent as the culture of youth (represented most clearly by the Rolling Stones as icons of swinging London) responds to assassinations, the war in Vietnam, the repression in Czechoslovakia and the shedding of naivete about drugs. Lazar sketches out his narrative through discrete episodes: Bobby's first criminal job with Manson; Anger's filming of Scorpio Rising; the breakup of Anita Pallenberg and Brian Jones; and a series of Anger's failed film projects. Anger serves as the narrative's lynchpin, and Lazar could have easily cast him as a tawdry caricature, but to his credit, Lazar understands that, in the '60s, the marginal was central, and he brilliantly highlights the fragility of an era when "everyone under thirty has decided that they're an exception-a musician, a runaway, an artist, a star." (Jan.) Copyright 2007 Reed Business Information.

"Lazar has created a powerful, infernal prism through which to view the potent, still-rippling contradictions of the late '60s. It's no mean feat. Despite the era's nearly impossible richness, fresh insights are hard to come by."--Mark Rozzo, Los Angeles Times Book Review
"One hypnotic tone poem.... It is not the now-historic acts of violence that make Sway so riveting, but its vivid character portraits and decadent, muzzy atmosphere, all rendered with the heightened sensory awareness associated with drugs and paranoia. The near miniaturist precision with which he describes Keith Richards's attempts to master his guitar, Brian Jones's acid trips and Anger's obsessive desire for Beausoleil bring this large-scale tableau into stunning relief."--Liz Brown, Time Out New York
"Zachary Lazar's superb second novel, Sway, reads like your parents' nightmare idea of what would happen to you if you fell under the spell of rock 'n' roll...Elegant and intricate...this brilliant novel is about what's to be found in the shadows, the most terrifying crannies of twisted souls, the darkest gleaming gems."-- Charles Taylor, New York Times Book Review