List of Contributors.
Introduction: The impact of popular music on symbolic
interaction.
Introduction: Music and identity.
The group ethic in the improvising jazz ensemble: a symbolic
interactionist analysis of music, identity, and social context.
Established Latino music scenes: Sense of place and the challenge
of authenticity.
Authenticating identity work: Accounts of underground country
musicians.
Introduction: Spaces of musical interaction: Scenes, subcultures,
and communities.
Brutal belonging in Melbourne's grindcore scene.
Musical genre as a gendered process: Authenticity in extreme
metal.
Digging a river downstream: Producing emergence in music.
Teaching the art of playing with career-coupling relationships in
the virtuoso world.
Introduction: Music in (inter)action.
Noise in action: the sonic (de)construction of art worlds.
Driving to the beat of one's own hum: automobility and musical
listening.
Music, symbolic interaction, and study abroad.
Grandmamma, what great ears you have! (Cross-generational musical
interaction and the discovery of silence).
Becoming “yellow”.
Subculture and myth: the case of Robert Johnson in the 1920s–1930s
US South.
Leroy and me.
Competing with her mother-in-law: the intersection of control
management and emotion management in sport families.
The futureless past.
G. H. Mead's intimations of dialogue and narrative in social
becoming with others.
Studies in symbolic interaction.
Studies in symbolic interaction.
Copyright page.
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