From 1976 to the present day, there have been over 45 films adapted from the spine-tingling works of Stephen King. Bringing detailed analysis of adaptations and literature together, Browning examines these films in their own right and suggests why they succeeded in scaring viewers, as well as why they often fail. The book rejects previous attempts to make the films and books fit rigid categories, but examines what makes a written or visual text successful at evoking fear and draws conclusions from examples. "Stephen King on the Big Screen" will appeal to readers and scholars with an interest in the wide range of directors discussed, including David Cronenberg, George A. Romero and Stanley Kubrick, and gothic horror genres on screen and in literature.
From 1976 to the present day, there have been over 45 films adapted from the spine-tingling works of Stephen King. Bringing detailed analysis of adaptations and literature together, Browning examines these films in their own right and suggests why they succeeded in scaring viewers, as well as why they often fail. The book rejects previous attempts to make the films and books fit rigid categories, but examines what makes a written or visual text successful at evoking fear and draws conclusions from examples. "Stephen King on the Big Screen" will appeal to readers and scholars with an interest in the wide range of directors discussed, including David Cronenberg, George A. Romero and Stanley Kubrick, and gothic horror genres on screen and in literature.
'Mind Over Matter: Telekinesis' - Mark Browning 'Tales from the Darkside: The Portmanteau film' - Mark Browning 'Sometimes Dead is Better: The Body Under the Sheet' - Mark Browning 'Boys to Men: Rites-of-Passage' - Mark Browning 'The Rise of the Machines: 1950s Science-Fiction B-Movie' - Mark Browning 'The Great Escape: Prison Drama' - Mark Browning 'Books of Blood: The Writer' - Mark Browning 'The Terror of Everyday Life and Final Girls' - Mark Browning
Mark Browning currently lives and works as a teacher and freelance writer in Germany. He was invited by Mr Cronenberg to contribute to an exhibition of his work at the Rome Film Festival in October 2008.
'Stephen King was among the first generation of horror writers to be overtly influenced by cinematic horror as well as literary, so it's hardly surprising that he is the most widely adapted horror novelist there is. These adaptations are, as Mark Browning observes in this excellent work, very hit-and-miss. Indeed, a great plus of this book is its blatant non-fanboyism. It is a meticulously critical work; scholarly but not pretentious, giving both praise and scorn where it's due, and acknowledging the greatnesses and flaws of the films as adaptations, suggesting some interesting viewing strategies along the way. Films are divided into theme, e.g. prison movies, rite of passage, telekinesis etc., and analysed from various intelligent positions. An excellent study of why adaptations work/fail, and for any King fan it's definitive.' - Andrew McQuade, Gorezone 'Browning is very conversant with film and its associated genres [...] Browning's purpose is praiseworthy because it does fill in an obvious gap in the research done on King and his literary texts and their filmic adaptations [...] the author is able to make connections [...] with a variety of texts and films.' - Edmund P. Cueva, Scope: An Online Journal of Film and Television Studies
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