About the Companion Website
List of Contributors
Introduction: Into the Remix: the Culture of Sampling 1
Laurel Westrup and David Laderman
PART I: ROOTS
Chapter 1: Shadow/Play: The Cinematic, Remixed, by David
Laderman
Chapter 2 : Remixing With Rules: Constraint and Potential in
Restrictive Remixes, by Richard L. Edwards
Chapter 3 : "Whatever Rubbish Was at Hand": The Emergence of the
Media Sample in Guy Debord's Films, by R.D. Crano
Chapter 4 : Rigorous Infidelity: Whole Text Sampling in the
Curatorial Work of Henri Langlois, Dewey Phillips, and
Jean-François Lyotard, by Barry Mauer
PART II: SCENES
Chapter 5: The Sydney Club Scene and the Sampling of Global
Electronic Dance Music Culture, by Ed Montano
Chapter 6: Piggin' Out! Constructing Spanish Cultural History
Through Media Sampling, by Miguel Fernández Labayen & Vicente
Rodríguez Ortega
Chapter 7: Time Stand Still: Sampling Scenes and Slowing Media, by
Ryan Alexander Diduck
Chapter 8: From Méjico Máxico to Político: Sampling the Past and
the Present in the Mexican Musical Scene, by
Héctor Fernández L'Hoeste
PART III: CINEMA
Chapter 9: Love in the Club: Karaoke Realism in Chinese and Hong
Kong Cinema, by Brian Hu
Chapter 10: Articulating a Hip Hop Sampling Aesthetic Through Film:
Music and Memory in Three Hip Hop Documentaries, by Jesse
Stewart
Chapter 11: "Dreamlo-lo-lover Where Are You-u-u?" Sampling as
Analysis, Sampling as Symptom, by
Martin J. Zeilinger
Chapter 12: (In)appropriation: Productions of Laughter in
Contemporary Found Footage Films, by Jaimie Baron
PART IV: WEB
Chapter 13: All Work and No Play: Trailer Park, the Mashup, and
Industrial Pedagogies, by Jonathan Cohn
Chapter 14: Popular Culture through the Eyes, Ears, and Fingertips
of Fans: Vidders, Anime Music Video Editors, and Their Sources, by
Samantha Close
Chapter 15: How the World is Being Remade: The Case of Antoine
Dodson and the Limits of Sampling as Trans-Cultural and Cross-Class
Expression, by Corella Di Fede
Chapter 16: Thinking Through Sampling, Literally, by Laurel
Westrup
Afterword
Sampling Across the Curriculum
Laurel Westrup and David Laderman
Bibliography
Index
David Laderman is Professor of Film at the College of San Mateo. He
has also taught film and media studies at the University of
California, Davis, San Francisco State University and Stanford
University. His previous publications include Driving Visions:
Exploring the Road Movie (2002) and Punk Slash Musicals: Tracking
Slip-Sync on Film (2010).
Laurel Westrup has a Ph.D. in Cinema and Media Studies from UCLA,
where she is currently a Lecturer in Writing Programs. She also
teaches courses in Film and Electronic Arts at CSU Long Beach. Her
work has appeared in the journals Film and History and Spectator.
"With Sampling Media, David Laderman and Laurel Westrup have
ushered in a monumental collection that extends and reroutes all
previous discussions about sampling in the arts and culture.
History, theory, law, technology and creative aesthetics are each
explored with serious rigor, yet there is ample room here for the
mirth and play that characterize the sampling sport. If you thought
you knew what sampling is, this book will make you think
again."
--Murray Forman, Media and Screen Studies, Northeastern
University
"Sampling Media is a startlingly insightful collection that
explores the wide array of cultural practices associated with
sampling culture in all of its vibrant diversity. The essays, which
cover a remarkable set of approaches to hybrid media practices from
high art to pop culture, are assembled with the nuance and
precision of any great playlist." --Virginia Kuhn, Associate
Professor, School of Cinematic Arts, University of Southern
California
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