1. The style of method: repression and representation in the genealogy of philosophy B. Lang; 2. Style in painting R. Wollheim; 3. Stylistic strategies in William Hogarth's theatrical satires M. K. Lindberg; 4. Style in architecture J. Mordaunt Crook; 5. Par le style on atteint au sublime: the meaning of the term style in French architectural theory of the late eighteenth century C. A. Van Eck; 6. Aesthetic forms of philosophising L. Wiesing; 7. Style and community S. Kemal; 8. Metaphor and paradox in Toqueville's analysis of democracy F. R. Ankersmit; 9. The formation of styles: science and the applied arts J. W. McAllister; 10. Beyond the mannered: the question of style in philosophy or questionable styles of philosophy N. Davey; 11. Style and subjective agency C. Altieri; 12. Style and innocence: lost, regained, and lost again? D. Franck; Appendix; Index.
Essays examining the historical transition in our perception of the arts and philosophy.
"...this book reminds us that style has always played a role in philosophical writing despite claims to the contrary. Not only does it show that philosophy has influenced the arts, but that the arts might hold the key to understanding style in philosophical writing." Jeffrey R. DiLeo, Philosophy and Literature
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