There’s no predicting a Denise Duhamel poem, except that it might be about something you’ve never seen in a poem before: Mr. Donut, Rodney King, or nude beaches; Gertrude Stein, phone sex, or the Girl Scouts. Poems from The Woman with Two Vaginas, a book that was censored when it first appeared, are based on Inuit folklore. How the Sky Fell offers revisionist fairy tales, and the poems from Kinky are inspired by Barbie dolls. In her new work, Duhamel suffers postmodern angst when using the “therapeutic I.” Denise Duhamel has startled readers of American poetry with work that pirouettes on a tightrope above the personal and the political, the spoken word and the page, the irreverent and the sacred. Queen for a Day showcases poems from her five previous collections, along with new work.
There’s no predicting a Denise Duhamel poem, except that it might be about something you’ve never seen in a poem before: Mr. Donut, Rodney King, or nude beaches; Gertrude Stein, phone sex, or the Girl Scouts. Poems from The Woman with Two Vaginas, a book that was censored when it first appeared, are based on Inuit folklore. How the Sky Fell offers revisionist fairy tales, and the poems from Kinky are inspired by Barbie dolls. In her new work, Duhamel suffers postmodern angst when using the “therapeutic I.” Denise Duhamel has startled readers of American poetry with work that pirouettes on a tightrope above the personal and the political, the spoken word and the page, the irreverent and the sacred. Queen for a Day showcases poems from her five previous collections, along with new work.
Denise Duhamel is a distinguished university professor in the MFA program at Florida International University in Miami. Her previous books include Scald, Blowout, Ka-Ching!, Two and Two, Queen for a Day: Selected and New Poems, The Star-Spangled Banner, and Kinky. She is a recipient of fellowships from the Guggenheim Foundation and the National Endowment for the Arts.
Celebrates ideas and topics that aren't often the subect of bards
and poets. Her playful, inventive way of string together ideas is
evident... Despite the frolicsome nature of much of her work,
Duhamel writes incisively about serious themes and issues. The
clash between high and low art never seems abraisive in Duhamel's
work.-- "Tribune Review"
Denise Duhamel is a red-headed, red-lipped wild woman, a human and
humane poet who isn't afraid to tackle any subject: violence,
racism, A.I.D.S., bulimia, childishness, the myth of Bluebeard, the
phenomenon of Barbie, . It's been a singular joy to red this
"selected" and see Duhamel's work grow and develop over the years.
Queen for a Day is exuberant, brazen, bold, honest as hell,
audaciously unpretentious and outrageously self-referential, a
Frank O'Hara meets Lucille Ball meets Sandra Bernhard of a book:
sin verguenza!-- "Dorianne Laux"
Denise Duhamel's Queen for a Day: Selected and New Poems engagingly
charts her evolution as a fictionist -- from ribald, bemused poems
about body parts and coming of age dramas to increasingly
sophisticated mock-narratives. Her work is tremendous fun, but
often there's an underpinning of sadness in it as well, which keeps
the poems from being mere play. You'll want to read parts of this
book aloud to your smart friends. Or to give it as a gift.--
"Stephen Dunn"
Duhamel is an entertainer, as her new, retrospective collection
confirms. . . . Throughout the book, each poem is utterly engaging,
as hard to abandon as a chapter in a taut thriller.--
"Booklist"
Duhamel writes about Garcia-Lorca's Deli, Georgia O'Keefe's pelvis,
a Barbie Doll in a Twelve-Step Program, Barbie as a Bisexual,
Barbie's GYN appointment, and the difference between Pepsi and the
Pope. . . . If you like knee-slapping, quasi-existential poetry, go
out and pick up a Queen for a Day.-- "RALPH"
From the strange, complex materials of our society, the poet
develops stories and meditations that reveal the distortions and
energies of pop-culture. Duhamel's poetry takes its humor seriously
and its gravity lightly.-- "Poet Lore"
It is not difficult, now that they've gathered in one place, to see
Duhamel's oeuvre as more than wry individual takes on random
subjects; she is a subtle and effective political poet, one who
continually challeneges societal expectations of women and
girls--clearly, restlessly, and not without wit.-- "ForeWord
Magazine"
Somewhere between Sex and the City, Sharon Olds and Spalding Grey
lies the poetry of Denise Duhamel, who in six volumes during the
1990s (all from small independent or small university presses)
established herself as a vivacious, sarcastic, uninhibited and
sometimes sex-obsessed observer of contemporary culture. Long
fascinated by downtown New York, Duhamel got poetic mileage from
her once-rough neighborhoods. Now she lives and teaches in Miami:
this new-and-selected sums up her NYC years . . . Its humor, anger
and forceful personality could make the book a genuine popular
hit.-- "Publishers Weekly"
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