Working from the earliest surviving draft of Frankenstein, Charles E. Robinson presents two versions of the classic novel-as Mary Shelley originally wrote it and a subsequent version clearly indicating Percy Shelley's amendments and contributions.
For the first time we can hear Mary's sole voice, which is colloquial, fast-paced, and sounds more modern to a contemporary reader. We can also see for the first time the extent of Percy Shelley's contribution-some 5,000 words out of 72,000-and his stylistic and thematic changes. His occasionally florid prose is in marked contrast to the directness of Mary's writing. Interesting, too, are Percy's suggestions, which humanize the monster, thus shaping many of the major themes of the novel as we read it today. In these two versions of Frankenstein we have an exciting new view of one of literature' s greatest works.
Working from the earliest surviving draft of Frankenstein, Charles E. Robinson presents two versions of the classic novel-as Mary Shelley originally wrote it and a subsequent version clearly indicating Percy Shelley's amendments and contributions.
For the first time we can hear Mary's sole voice, which is colloquial, fast-paced, and sounds more modern to a contemporary reader. We can also see for the first time the extent of Percy Shelley's contribution-some 5,000 words out of 72,000-and his stylistic and thematic changes. His occasionally florid prose is in marked contrast to the directness of Mary's writing. Interesting, too, are Percy's suggestions, which humanize the monster, thus shaping many of the major themes of the novel as we read it today. In these two versions of Frankenstein we have an exciting new view of one of literature' s greatest works.
Acknowledgements
Abbreviations
Introduction
Frankenstein
Mary (with Percy) Shelley
Mary Shelley
APPENDIX A Title Page, Dedication and Preface to the 1818
Edition
APPENDIX B On “Frankenstein.” by the late Percy Bysshe Shelley
APPENDIX C Introduction to the 1831 Edition by Mary W. Shelley
Bibliography
Charles E. Robinson is a professor of English at the University of Delaware. He has published and lectured extensively on the English Romantic writers, especially Byron and the Shelleys. His books include Mary Shelley: Collected Tales and Stories; Mary Shelley's Prosperine and Midas and The Frankenstein Notebooks.
“Charles Robinson, more fi nely tuned to the authorship of
Frankenstein than any scholar living or dead, has produced two
versions of Mary Shelley’s prepublication manuscript: as she first
wrote it, then as it was marked with Percy’s additions and
alterations. With as much certainty and in as much detail as
superhumanly possible, Robinson reanimates the beginnings of this
vibrant novel in an authoritative, smartly accomplished, reader-
friendly edition that will delight its fans no less than it will
stimulate its students. An original work of imagination itself,
The
Original Frankenstein, by illuminating the genesis of this novel,
is now an invaluable part of its intriguing editorial history.”
—Susan J. Wolfson, Professor of English, Princeton University and
President, Association of Literary Scholars and Critics
“Mary Shelley’s Frankenstein was famously inspired by telling ghost
stories with Percy Bysshe Shelley and Lord Byron during a cold, wet
summer in the Swiss Alps. It continues to serve as shorthand for
the dangers of reckless scientific advance, yet literary historians
have never been able to agree on its origins. Could Mary Shelley,
an unpublished 18-year-old, really have written the novel? Or was
Frankenstein’s monster her future husband’s creation? . . . Charles
E Robinson presents a convincing case for crediting the novel to
‘Mary (with Percy) Shelley’,
revealing the major changes PBS made to Mary’s first draft. . . .
The novel the Shelleys wrote together represents a remarkable act
of literary homage and collaboration and Charles E Robinson’s
revealing new edition allows modern readers to be there at its
creation. .” —The Independent (London)
“Th e novel’s textual instability is explored in the impressive
introduction to Charles Robinson’s new edition. His honourable aim
is not to give us another text of the novel we know—or think we
know—but to strip away nearly two centuries of revision and
appropriation in order to return to what he describes as the
‘original’ Frankenstein. . . . The value of Charles Robinson’s
edition lies in the confi rmation of Mary Shelley’s assertion . . .
that ‘Every thing must have a beginning—and that beginnings
matter—and in its affirmation of community, cooperation and
collaboration as fundamental to literary production.” —The Times
Literary Supplement
“Thanks to the dogged textual work of Charles E. Robinson . . .
readers will now be able to see for themselves what Mary wrote
before she turned it over to Percy’s editorial ministrations. . . .
[This] version of the novel . . . probably comes as close as it’s
possible to get to the draft that Mary first handed Percy to read.”
—The Chronicle of Higher Education
![]() |
Ask a Question About this Product More... |
![]() |