Eric Gans is Distinguished Professor Emeritus of French and Francophone Studies at the University of California at Los Angeles (UCLA), where he taught 19th-century French literature for 45 years. He is the author of two critical studies on Flaubert, including Madame Bovary: The End of Romance (G.K. Hall, 1989), and (in French) of book-length essays on Alfred de Musset and Prosper Mérimée. His theoretical works include Signs of Paradox: Irony, Resentment, and Other Mimetic Structures (Stanford University Press, 1997) and A New Way of Thinking: Generative Anthropology in Religion, Philosophy, Art (The Davies Group, 2011). He lives in Santa Monica, California.
The Origin of Languageremains as completely original and unprecedented (and intellectually demanding and satisfying) todayas when it was originally published, so much so as to constitutea kind of intellectual scandal.
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