Charles Higham, critically acclaimed writer, poet, critic, and playwright, is a literary and film detective. Among his many publications, The Duchess of Windsor, Kate, Bette, and Marlene have earned him high positions on bestseller lists and prestigious literary prizes. After holding the post of Regents Professor and writer in residence at the University of California, Santa Cruz, he was the Hollywood feature writer for the New York Times from 1970 to 1980.
The most thoroughly researched and carefully considered of all the books on the legendary William Desmond Taylor murder case. - James Curtis, author of W. C. Fields: A Biography ""Drawing on unpublished documents compiled by director King Vidor, and making witty, insightful comments as he does, Higham cuts through a thicket of suspects, motives, and cover-ups to point the finger where it had rather clearly been pointing all along, arguing that for some years a hypocritical, moralistic press did its best to point the finger in other directions. More than the solution, what impresses here are Higham's portraits of Taylor, Minter, et al, as scarred souls who believed Hollywood would be their Lourdes on the Pacific. They were mistaken."" - Kirkus Reviews ""Murder in Hollywood is engrossing, as much for chronicling the murder as it is for capturing an era as rollicking as a Keystone Cops two-reeler. Higham presents a persuasive argument for his favored suspect,... and the evidence is compelling. But inevitably, it is the time-capsule quality of the storytelling, and a peek at 'hiding in plain sight' homosexuality, that makes the book so interesting."" - Lambda Book Report ""Paints a dazzling picture of Los Angeles in a golden age of sleaze and corruption."" - Times Literary Supplement
The most thoroughly researched and carefully considered of all the books on the legendary William Desmond Taylor murder case. - James Curtis, author of W. C. Fields: A Biography ""Drawing on unpublished documents compiled by director King Vidor, and making witty, insightful comments as he does, Higham cuts through a thicket of suspects, motives, and cover-ups to point the finger where it had rather clearly been pointing all along, arguing that for some years a hypocritical, moralistic press did its best to point the finger in other directions. More than the solution, what impresses here are Higham's portraits of Taylor, Minter, et al, as scarred souls who believed Hollywood would be their Lourdes on the Pacific. They were mistaken."" - Kirkus Reviews ""Murder in Hollywood is engrossing, as much for chronicling the murder as it is for capturing an era as rollicking as a Keystone Cops two-reeler. Higham presents a persuasive argument for his favored suspect,... and the evidence is compelling. But inevitably, it is the time-capsule quality of the storytelling, and a peek at 'hiding in plain sight' homosexuality, that makes the book so interesting."" - Lambda Book Report ""Paints a dazzling picture of Los Angeles in a golden age of sleaze and corruption."" - Times Literary Supplement
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