Table of Contents

Manner, Mannerism, and Beautiful Manner
Florence: Genesis and Models of the Manner. Andrea del Sarto and Fra
Bartolomeo
Pontormo and Rosso Fiorentino
Eccentric Artists: Beccafumi, Aspertini, and Pordenone
At the Origins of the Manner: the Artists in Rome from the Death of
Raphael up to the Sack of Rome: the Closest Disciples
Artists in Rome in the 1530s
Diaspora of the Artists and Spreading of the Manner in Italy:
Parmigianino from Rome to Bologna
Parmigianino from Bologna to the Last Years in Parma
Perin del Vaga and the Manner in Genoa
Polidoro da Caravaggio and the Manner in Naples
Rosso Fiorentino and the Manner in Central Italy
Giulio Romano and the Spreading of the Manner in North Italy
The Manner in Veneto
The Manner in Lombardy
The Manner in Florence in the Time of Cosimo I de’ Medici
Palazzo Vecchio as Emblem of the Cultural Rebirth in Florence:
Bronzino and Salviati Vasari and Cosimo I de’ Medici
The Studiolo of Francesco I and the Late Florentine Manner
The Manner in Rome from 1530 to the Late 1500 Big Yards
Federico Barocci and His Epigones (Metaurensi Mannerists)
The Oratorio del Gonfalone
Villa d’Este in Tivoli
Palazzo Farnese in Caprarola
Foreign Artists in Italy in the Time of the Manner
Northern and Flemish Artists in Veneto

About the Author

Alessandra Bigi Iotti, Giulio Zavatta are art historians, authors, and professors who have organised exhibitions, events and conferences, and published essays and books in Italy and abroad. Founders of the Taccuini d’Arte magazine, they have curated several editions of the Biennale del Disegno in Rimini.