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The Mahler Companion consists of a collection of original essays on Mahler written especially for the occasion by Mahler specialists from around the world. It addresses all parts of his life and work-- symphonies, songs and song-cycles (each of which is discussed individually), his conducting
activities, compositional habits, and aesthetic development--and sets these within the cultural and political context of his time. In addition, it responds to the global spread of this remarkable composer's music, and an almost universal fascination with it, by attempting to give an account of the
reception of Mahler's music in many of the countries in which it eventually came to flourish, eg. Holland, France, Japan, Russia, England, and the United States. This particular series of chapters reveals that the 'Mahler Phenomenon' earned its description principally in the years after the Second
World War, but also that the Mahler revival was already well under way pre-war, perhaps especially in England and the States, and most surprisingly of all, Japan.
The selection of contributors, who between them cover all Mahler's musical output, shows that here too this volume significantly crosses national boundaries. The very diverse approaches, analyses and commentaries, amply illustrated with music examples, are evidence of the uniquely rich and complex
character of a music that spans more than one culture and more than one century. The volumes includes the most significant and up-to-date Mahler research and debate, and illumines some hitherto unexplored areas of Mahler's life eg. his visit to London in 1892, his sculptor daughter, Anna, and the
hall inwhich the Seventh Symphony was first performed in Prague in 1908.
It has often been claimed that Mahler, born in 1860, was in fact a prophet of much that was to come in the 20th century. His later works undeniably anticipate, often with dazzling virtuosity, many of the principal techniques and aesthetics of the new century, only the first decade of which he
lived to see. Small wonder that among his earliest admirers was a collective of some of the most important and innovative composers of our time, Schoenberg, Berg, and Webern. Their successors (Copland, Shostakovich, and Britten, to name a few) were to range across contrasting cultures and national
frontiers.
Drawing on the best resources and the most up-to-date information about the composer, this volume fulfils the need in Mahler literature for a genuinely comprehensive guide to the composer and will be the authoritative guide for Mahler enthusiasts for years to come.
The Mahler Companion consists of a collection of original essays on Mahler written especially for the occasion by Mahler specialists from around the world. It addresses all parts of his life and work-- symphonies, songs and song-cycles (each of which is discussed individually), his conducting
activities, compositional habits, and aesthetic development--and sets these within the cultural and political context of his time. In addition, it responds to the global spread of this remarkable composer's music, and an almost universal fascination with it, by attempting to give an account of the
reception of Mahler's music in many of the countries in which it eventually came to flourish, eg. Holland, France, Japan, Russia, England, and the United States. This particular series of chapters reveals that the 'Mahler Phenomenon' earned its description principally in the years after the Second
World War, but also that the Mahler revival was already well under way pre-war, perhaps especially in England and the States, and most surprisingly of all, Japan.
The selection of contributors, who between them cover all Mahler's musical output, shows that here too this volume significantly crosses national boundaries. The very diverse approaches, analyses and commentaries, amply illustrated with music examples, are evidence of the uniquely rich and complex
character of a music that spans more than one culture and more than one century. The volumes includes the most significant and up-to-date Mahler research and debate, and illumines some hitherto unexplored areas of Mahler's life eg. his visit to London in 1892, his sculptor daughter, Anna, and the
hall inwhich the Seventh Symphony was first performed in Prague in 1908.
It has often been claimed that Mahler, born in 1860, was in fact a prophet of much that was to come in the 20th century. His later works undeniably anticipate, often with dazzling virtuosity, many of the principal techniques and aesthetics of the new century, only the first decade of which he
lived to see. Small wonder that among his earliest admirers was a collective of some of the most important and innovative composers of our time, Schoenberg, Berg, and Webern. Their successors (Copland, Shostakovich, and Britten, to name a few) were to range across contrasting cultures and national
frontiers.
Drawing on the best resources and the most up-to-date information about the composer, this volume fulfils the need in Mahler literature for a genuinely comprehensive guide to the composer and will be the authoritative guide for Mahler enthusiasts for years to come.
List of Illustrations
Notes on Contributors
Abbreviations
Introduction - Andrew Nicholson
1: Leon Botstein: Gustav Mahler's Vienna
2: John Williamson: The Earliest Completed Works: A Voyage towards
the First Symphony
3: Paul Hamburger: Mahler and Des Knaben Wunderhorn
4: Edward Reilly: Todtenfeier and the Second Symphony
5: Morten Solvik: Mahler and Germany
6: Henry-Louis de La Grange: Mahler and France
7: Gérard Pesson: Mahler and Debussy: Transcendence and Emotion
8: Peter Franklin: A Stranger's Story: Programmes, Politics, and
Mahler's Third Symphony
9: Donald Mitchell: 'Swallowing the Programme': Mahler's Fourth
Symphony
10: Donald Mitchell: Mahler's 'Kammermusikton'
11: Donald Mitchell: Eternity or Nothingness? Mahler's Fifth
Symphony
12: Eveline Nikkels: Mahler and Holland
13: Stephen E. Hefling: The Rückert Lieder
14: David Matthews: The Sixth Symphony
15: Peter Revers: The Seventh Symphony
16: Donald Mitchell: Mahler in Prague (1908)
17: John Williamson: The Eighth Symphony
18: Edward R. Reilly: Mahler in America
19: Stephen E. Heffling: Das Lied von der Erde
20: Stephen E. Heffling: The Ninth Symphony
21: Colin Matthews: The Tenth Symphony
22: David Matthews: Wagner, Lipiner, and the 'Purgatorio'
23: Inna Barsova: Mahler and Russia
24: Kenji Aoyagi: Mahler and Japan
25: Andrew Nicholson: Mahler in London in 1892
26: Donald Mitchell: The Mahler Renaissance in England: Its Origins
and Chronology
27: Wilfrid Mellors: Mahler and the Great Tradition: Then and
Now
EpilogueAlbrecht Joseph, Marina Mahler, and Donald Mitchell:
Mahler's Smile: A Memoir of his Daughter Anna Mahler (1904 -
1988)
Select Bibliography
Index
Dr Mitchell was awarded the Gustav Mahler medal of Honour of the International Gustav Mahler Society, Vienna, 1987.
Dr Mitchell is a Trustee of the Britten-Pears Foundation and
Chariman of the Britten Estate Ltd; Founder Professor of Music at
the University of Sussex (1971 - 1976); and is currently visiting
Professor at Sussex, York and King's College, London. He was
awarded the Gustav Mahler Medal of Honour of the International
Gustav Mahler Society in 1987, in Vienna. Dr Mitchell is Research
Fellow in Romantic Studies in the Department of English, University
of Bristol. His
principal interest is in Byron having published several books on
the poet, including Lord Byron: The Complete Miscellaneous Prose
(OUP 1991).
the one-stop guide to Mahler - a volume of essays covering the widest range of Mahlerian topics, designed both for the academic and serious amateur music-lover ... The core of the compendium is its coverage of all the main works, carrying recent research, with plentiful musical examples and other illustrations. Andrew Green, Classical Music 08/11/1999 beautifully produced volume ... a tribute that surveys the familiar with affectionate new insights ... all the articles on Mahler's reception outside Austria, both during his life and after, make for fascinating reading. David Nice, BBC Music Magazine October 1999 The Mahler Companion constitutes a distinguished and fitting monument to Mitchell's lifelong devotion to Mahler, and, in mustering so much talent in one volume, there is no doubt that it will deservedly take its place among the most significant publications on the composer. Jeremy Barham, Music & Letters
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