With her signature eye for irony and sensuality, Elizabeth Bachinsky's latest book of poetry, The Hottest Summer in Recorded History, balances a youthful playfulness with observational maturity. Bachinsky strings together seemingly non-sequitur images, capturing in these poems the commonality of raw intimacy, dark humour and a sense of immediacy. Her vision is unapologetically bold, finding the erotic in everyday moments and keenly capturing the complicated truths of life in a powerfully candid style.
With her signature eye for irony and sensuality, Elizabeth Bachinsky's latest book of poetry, The Hottest Summer in Recorded History, balances a youthful playfulness with observational maturity. Bachinsky strings together seemingly non-sequitur images, capturing in these poems the commonality of raw intimacy, dark humour and a sense of immediacy. Her vision is unapologetically bold, finding the erotic in everyday moments and keenly capturing the complicated truths of life in a powerfully candid style.
Elizabeth Bachinsky is the author of five collections of poetry: Curio (BookThug, 2005) Home of Sudden Service (Nightwood Editions, 2006), God of Missed Connections (Nightwood, 2009), I Don't Feel So Good (Bookthug, 2012), and, most recently, The Hottest Summer in Recorded History (Nightwood Editions, 2013). Her poetry has been adapted for stage and screen and has been nominated for awards including the Pat Lowther Award, The George Ryga Award for Social Awareness in Literature, and the Governor General's Award for Poetry. She lives in New Westminster, BC.
The poems in the Hottest Summer in Recorded History are handy and
necessary language adventures...There's this belligerent carnality
in much of [Bachinsky's] verse. One of the back blurbs calls this
"erotically ridiculous," which is probably right because that
review appeared in The Globe [and Mail], but I think there is
something else here...None of this is erotic, not exactly, but
something in words sits between an undulating nostalgia for the
illuminated thrums of the past and a profound recollection of
things memorable only through simple defamiliarisation.
--Peter Babiak, subTerrain
The book as a whole is ...adept at charting [the] troubled course
between the poet's personal relationships and her poetry, and
between the necessary self-absorptions of the writing life and the
self-effacement required to present one's writing to the public. As
if energized by this challenge, the collection swerves through a
virtuosic variety of moods, perspectives, modes of address, and
received forms, just as individual poems move quickly and fluently
through registers of irony and wit...it is this continual devotion
and attention to the presence of the poem--even as the lives and
loves of the poet and her circle are on display--that Bachinsky
privileges and performs with artful attention. Although the book is
inscribed with the dedication "To Friends," these poems will speak
to almost anyone.
--Chris Hutchinson, Gulf Coast (Texas)
The Hottest Summer in Recorded History includes Bachinsky's best
poetry since the precocious Home of Sudden Service...She has a
knack for matching cheekiness and sincerity...This book has a
handful of truly superb poems, including "You Know What Readers
Like," "Who loves ya, Baby?", "Dreams," "Somewhere There is Someone
Waiting," and "Occasional Poem for bill bissett, August 21, 2011."
More importantly, reading The Hottest Summer... is a good reminder
that life, like poetry, is eminently social. As such, it requires a
delicate balance of risk and care-- and, of course, dedication.
--Alessandro Porco, Open Book Toronto
Everyday is everything at once. The Hottest Summer in Recorded
History is a collection of poetry from Elizabeth Bachinsky who
offers her unusual blend of opinions and insight onto the world
around her, presenting honesty and humor hand in hand. The Hottest
Summer in Recorded History is a strong addition to modern poetry
collections.
--John Taylor, Midwest Book Review
...these are poems of intimacy, of relationships, told with
concrete, straight-forward language. Candid details couple with
artful wordplay: By gesturing toward an individual poetic impetus
in her dedications, Bachinsky creates a strange duality: with an
eye to their audience, the poems invite us into the story of their
own making; however we are simultaneously made aware of a greater
backstory, of moments we will always be excluded from...
--Lise Gaston, Lemon Hound
...short, declarative, and often humorous statements...spring from
one line to the next and, often, from one Canadian city to the
next, with an assortment of cabins, barns, and restaurants
in-between. Bachinsky trades in the kind of irony that is funny,
clever, and a pleasure to read.
--Taryn Hubbard, Room Magazine
Reading Elizabeth Bachinsky's rollicking frolic of a collection The
Hottest Summer in Recorded History is a bit like having an exciting
conversation with someone new, someone you are hoping will become a
friend. Bachinsky has an old crone's wisdom and a hipster lens as
she pistol whips any pretensions the reader might have...Bachinsky
is not shackled by structure or formality, she embraces humour and
eroticism with a welcome playfulness that never undermines the
serious poet underneath.
--Michael Dennis, Michael Dennis Blog
...Bachinsky's The Hottest Summer in Recorded History (Nightwood)
is her best work to date, and contains the exceptional and
subversive poem "When I Have the Body of a Man", which should be
anthologized everywhere.
--Jared Bland, The Globe and Mail
...Bachinsky combines colloquial language with traditional
forms...to create playful but also serious poetry which brings us
inside the living tradition. This is up-to-the-minute poetry,
complete with instant messaging, alternating between comedy and
lyric, between toughness and grace.
--Judge's Comments, The Pat Lowther Award (2014)
What Bachinsky places squarely in her cross-hairs in The Hottest
Summer in Recorded History is not only urban-planning run amok but
the gentrification of consciousness. Just when readers find
themselves getting too comfortable in a poem, out come the
bull-whips and the tiny wooden armadillos, the hobbled horses and
the jimmied keyholes, the plastic paparazzi playsets and the zombie
finger puppets... her bursting lyricism and wide-ranging eye...seek
the borders between the feral, i.e. the wild, and a recycled
culture so obsessed with its own past it is unable to create any
new meaning.
--Chris Banks, Table Music
Elizabeth Bachinsky's poems from The Hottest Summer in Recorded
History have a lighter touch, but draw on a similarly intensive, if
playful self-consciousness, setting formal detachment and poetic
"craft" ("Eliot was right, it's useless to describe a feeling")
against confessions of personal investment, of getting her feelings
hurt...As with her other books, Bachinsky's range of forms (from
villanelle to sonnet) is impressive.
--Kevin McNeilly, Frank Styles Blog
...there is a method to Bachinsky's Gertrude Stein-like playing
around, and it is to reclaim usually non-poetic language...
Suddenly, what seemed banal becomes beautiful.
--George Elliott Clarke, Halifax Chronicle-Herald
Bachinsky's strength is in the way she records the vivid yet simple
details of life...In such details the relationships are
authenticated, and as readers we feel like we are eavesdropping on
both the intimate and the ordinary--excluded from the personal
experience of the memory but privy to the image and the feeling it
produces. ...self-reflexivity and playfulness is at the heart of
Bachinsky's collection. These poems invite us to contemplate what
poetry is, who makes it, and what our expectations are as
readers...
--Jennifer Delisle, Arc Magazine
...a Contiki tour of poetic hotspots... [The Hottest Summer in
Recorded History] is an exercise in form equaling content: a poet's
Holy Grail. Bachinsky lets the style of each piece speak for the
setting of the poem and in doing so instills memories and emotions
in her readers that would have otherwise been impossible.
--Richard Kelly Kemick, The Fiddlehead
Poet-readers cannibalize and gobble up bits of the poet...put on
Bachinsky's eyes...See that poets are people you can only know once
they're gone.
--Karin Moen, filling Station
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