Book Five of The Faerie Queene is Spenser's Legend of Justice. It tells of the knight Artegall's efforts to rid Faerie Land of tyranny and injustice, aided by his sidekick Talus and the timely intervention of his betrothed, the woman warrior Britomart. As allegory, Book Five figures forth ideal concepts of justice and explores how justice may be applied in a real world complicated by social inequality, female rule, political guile, and excessive violence. At the same time, as historical allegory, it retells a number of the most important events of early modern England, in particular the controversies surrounding the colonization of Ireland. An integral part of the larger poem, Book Five also stands on its own as one of the most challenging meditations on justice in English literature.
Book Five of The Faerie Queene is Spenser's Legend of Justice. It tells of the knight Artegall's efforts to rid Faerie Land of tyranny and injustice, aided by his sidekick Talus and the timely intervention of his betrothed, the woman warrior Britomart. As allegory, Book Five figures forth ideal concepts of justice and explores how justice may be applied in a real world complicated by social inequality, female rule, political guile, and excessive violence. At the same time, as historical allegory, it retells a number of the most important events of early modern England, in particular the controversies surrounding the colonization of Ireland. An integral part of the larger poem, Book Five also stands on its own as one of the most challenging meditations on justice in English literature.
Abraham Stoll is Assistant Professor of English, University of San Diego.
This edition of book 5 of The Faerie Queene is a welcome
contribution. Stoll presents a text that will be very useful in the
classroom. The decision to make available individual (or in two
cases, paired) books of the romance will make it possible for
instructors to teach their preferred books of the romance; Stoll's
edition of book 5 will certainly increase the likelihood that the
Legend of Justice will reappear in undergraduate classrooms,
introducing students to a text in which Spenser scholars are
increasingly interested. We will all benefit from that. --Andrew
Fleck, Sixteenth Century Journal
Two editions of Spenser are both from the same series, published by
Hackett Publishing Company, which is providing inexpensive
paperback volumes of The Faerie Queene, under the general
editorship of Abraham Stoll. The volumes printed this year, books 1
and 5, are edited, respectively, by Carol V. Kaske and Stoll
himself. A single volume combining books 3 and 4, edited by Dorothy
Stephens, is forthcoming, as is book 6, edited by Andrew Hadfield.
The volumes are attractively printed, with notes at the bottom of
the page. Each volume includes an introduction, the Letter to
Raleigh, a brief 'Life of Edmund Spenser,' textual notes, a
glossary, an 'Index of Characters,' and a bibliography. Kaske's
introduction to book 1 forms an accessible student guide, touching
on a wide range of topics, from versification, genre, and allegory,
to 'Spenser's Religious Milieu.' At the same time, there are fresh
flashes of insight, no doubt derived from Kaske's long experience
of teaching a complex poem. . . . Eschewing 'political and
biographical allegory (p. xvi), the notes offer plenty of help to
the student seeking to get behind the veil of Spenser's dark
conceit, for they emphasize symbolism and historical context,
especially literary context or 'sources.' Stoll's edition of book 5
of the Faerie Queene includes a judicious introduction of
considerable merit. Not simply well written and learned, it
partitions the information in an accessible and interesting way.
Stoll is fully attuned to the recent controversies surrounding the
Legend of Justice, but he does more than record them for the
student reader; he manages to express sympathy for both poet and
poem. Students need to hear the historical nature of Spenser's
achievement for English literature, and Stoll leads nicely with
this topic: book 5 is 'one of the most challenging meditations on
justice in English literature' (p. ix). Stoll is as sensitive to
the violence of book 5 as he is to its strangeness and beauty.
Students will appreciate the short inventory of important works of
criticism at the end of each section. The notes are not as full as
Kaske's, but perhaps appropriately so. . . . I look forward to
having access to the remaining volumes in this series. --Patrick
Cheney, Studies in English Literature 1500-1900
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