A ground-breaking volume examining the transnational conditions of the European Enlightenment, Crafting Enlightenment argues that artisans of the long eighteenth-century on four different continents created and disseminated ideas that revolutionized how we understand modern-day craftsmanship, design, labor, and technology. Starting in Europe, this book journeys through France across the Atlantic Ocean to the Americas and then on to Asia and Oceania. Highlighting diverse identities of artisans, the authors trace how these historical actors formed networks at local and global levels to assert their own forms of expertise and experience. These artisans – some anonymous, eminent, and outside the margins – translated European Enlightenment thinking into a number of disciplines and trades including architecture, botany, ceramics, construction, furniture, gardening, horology, interior design, manuscript illustration, and mining.
In each thematic section of this illustrated volume, two leading scholars present contrasting case studies of artisans in different geographic contexts. These paired chapters are also followed by shorter commentary that reflects on pertinent themes from both chapters.
Emphasizing how and why artisanal histories around the world impacted civic and private life, commerce, cultural engagement, and sense of place, this book introduces new richness and depth to the conversations around the ambivalent and fragmented nature of the Enlightenment.
A ground-breaking volume examining the transnational conditions of the European Enlightenment, Crafting Enlightenment argues that artisans of the long eighteenth-century on four different continents created and disseminated ideas that revolutionized how we understand modern-day craftsmanship, design, labor, and technology. Starting in Europe, this book journeys through France across the Atlantic Ocean to the Americas and then on to Asia and Oceania. Highlighting diverse identities of artisans, the authors trace how these historical actors formed networks at local and global levels to assert their own forms of expertise and experience. These artisans – some anonymous, eminent, and outside the margins – translated European Enlightenment thinking into a number of disciplines and trades including architecture, botany, ceramics, construction, furniture, gardening, horology, interior design, manuscript illustration, and mining.
In each thematic section of this illustrated volume, two leading scholars present contrasting case studies of artisans in different geographic contexts. These paired chapters are also followed by shorter commentary that reflects on pertinent themes from both chapters.
Emphasizing how and why artisanal histories around the world impacted civic and private life, commerce, cultural engagement, and sense of place, this book introduces new richness and depth to the conversations around the ambivalent and fragmented nature of the Enlightenment.
Lauren R. Cannady, assistant clinical professor in University Honors at the University of Maryland, is a historian of early modern art and architecture with an interest in intellectual and cultural history. Her previous publications include analyses of early modern garden patterns and French aesthetic philosophy, and her current project is a book on northern European gardens as sites of knowledge production and transmission. Jennifer Ferng is Senior Lecturer in Architecture and Postgraduate Director at the University of Sydney. She received her PhD from MIT. Her second co-edited book 'Land Air Sea' will address how architecture and environment(s) in the early modern era forecasted contemporary issues related to climate change and sustainability.
‘The essays themselves are the real strength of the collection, and
it is pleasing to see them well illustrated, with seventy-six
plates overall, most in full colour, allowing for a visual grasp of
the objects under discussion. A short review cannot effectively
summarize the wide range of topics on display, but, there is much
here to appreciate.’
David Andress, French Studies
‘Crafting Enlightenment is that rare thing, an exceptionally
well-crafted compendium of current thinking on an historically
important topic that enlightens the reader and leaves her wanting
to learn more.’ Katie Scott, Journal18
‘Inherently interdisciplinary, Cannady and Ferng’s volume adds an
insightful transnational consideration to the study of artisanal
praxis during the long eighteenth century.’ Jason Nguyen, Journal
of the Society of Architectural Historians
‘The essays assembled by Cannady and Ferng call attention to the
centrality of the body – its manual artistry, its materiality, its
movement across regions and environmental encounters – in ways that
profoundly shift our concept of agency and authority in the making
and receiving of art.’ Sarah R. Cohen, The Art Bulletin
‘On the whole, the volume provides a valuable contribution to
ongoing discussions of artisanal culture in the long eighteenth
century from a global perspective and opens fruitful paths for
future research.’ Marco Storni, Technology and Culture
‘In a deeply erudite and methodologically sophisticated
contribution, Neil Kamil considers “what frustrated expectations
can reveal about the material culture of empire”… A similar
sensitivity to materials is at issue in Sugata Ray’s innovative and
ambitious account of the sacred jasmine gardens of
eighteenth-century Vrindavan… Crafting Enlightenment is a useful,
exciting, and provocative contribution to a growing body of
research at the interstices of art history and the history of
science that promises rich rewards to those who wish to understand
the deep origins of our globalized world and the artisans who
helped make it.’ Dominic Bate, Journal of British Studies
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