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Butcher's Crossing
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About the Author

John Williams (1922-1994) was born and raised in Northeast Texas. Despite a talent for writing and acting, Williams flunked out of a local junior college after his first year. He reluctantly joined the war effort, enlisting in the Army Air Corps, and managing to write a draft of his first novel while there. Once home, Williams found a small publisher for the novel and enrolled at the University of Denver, where he was eventually to receive both his B.A. and M.A., and where he was to return as an instructor in 1954. Williams remained on the staff of the creative writing program at the University of Denver until his retirement in 1985. During these years, he was an active guest lecturer and writer, publishing two volumes of poetry and three novels, Butcher's Crossing, Stoner, and the National Book Award-winning Augustus. Michelle Latiolais is a member of the Programs in Writing at the University of California at Irvine where she is associate professor of English. She is the author of the novel Even Now.

Reviews

'One of the finest books about the elusive nature of the West ever written...It's a graceful and brutal story of isolated men gone haywire.' Time Out New York 'Harsh and relentless yet muted in tone, Butcher's Crossing paved the way for Cormac McCarthy. It was perhaps the first and best revisionist western.' The New York Times Book Review 'One of the finest novels of the West ever to come out of the West.' The Denver Post 'This story about the hunt of one of the last great buffalo herds "becomes a young man's search for the integrity of his own being...The characters are defined, the events lively, the place, the smells, the sounds right. And the prose is superb, a rarity in writing about the west. More, John Williams.' The Chicago Tribune 'John Williams's unsparing novels express a highly qualified though resilient optimism about our ability to salvage something of value from life's impossible conditions. Along with the necessary isolation of the artist, he conveys the sobering if startled recognition--perhaps with his own career in mind--of the transitory triumph of art.' Times Literary Supplement

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