A substantial portion of Bunting's poems circulated, unheeded, half a century ago. Yet, more than twenty-five years after the publication of his masterpiece Briggflatts, this is is the first critical study to show the view of writing that fused Bunting's intense concerns with music, painting, and Northern culture, and made him the central British poet of the post-war era. Peter Makin's lucid sequence of exposition leads from the more approachable data of Bunting's life and writings to their relations with form and finally theory. Of particular interest are chapters on the saints and warriors that occupy a central position in Briggflatts and on the forms of music and of Northumbrian painting and writing that help determine its structure. Bunting was both realist - his poetry was 'about life' - and profoundly formalist. His arguments clash, and cannot be made to match up. Yet they demand examination, not only because they gave rise to his verse, but because they undercut some of the more dangerous critical tendencies of our day. This study reveals Bunting as a major figure both in the development of the modernist movement and of twentieth-century British poetry as a whole.
A substantial portion of Bunting's poems circulated, unheeded, half a century ago. Yet, more than twenty-five years after the publication of his masterpiece Briggflatts, this is is the first critical study to show the view of writing that fused Bunting's intense concerns with music, painting, and Northern culture, and made him the central British poet of the post-war era. Peter Makin's lucid sequence of exposition leads from the more approachable data of Bunting's life and writings to their relations with form and finally theory. Of particular interest are chapters on the saints and warriors that occupy a central position in Briggflatts and on the forms of music and of Northumbrian painting and writing that help determine its structure. Bunting was both realist - his poetry was 'about life' - and profoundly formalist. His arguments clash, and cannot be made to match up. Yet they demand examination, not only because they gave rise to his verse, but because they undercut some of the more dangerous critical tendencies of our day. This study reveals Bunting as a major figure both in the development of the modernist movement and of twentieth-century British poetry as a whole.
Part 1 Development: ancestors; Villon in Paris; Rapallo; Chomei; "The Well of Lycopolis"; "The Spoils". Part 2 Matter: "Briggflatts"; warriors; saints. Part 3 The form of poetry: the Lindisfarne Gospels; music. Part 4 Theory.
`with the publication of Peter Makin's Bunting: the Shaping of His
Verse, the case for Bunting has been made at book-length by a
superb advocate ... In Peter Makin, Bunting has found a reader
whose judgments are as independent and as deeply grounded in
firsthand knowledge and experience as his own ... Makin is
particularly good on sound in poetry. Of all the themes in this
rich study, it is the one with most general application, sufficient
by
itself to engage anyone with an interest in poetry'
Magill's Literary Annual 1993
`Future writers will find 'competing with' Makin a daunting task:
in Bunting: The Shaping of his Verse we have a deep, thoroughly
researched and well-presented study of a complex subject which
scholars have shied away from for many years. Makin brings to his
subject a considerable warmth and sympathy, and above all,
readability: for that we may thank him, as Bunting certainly would,
even though he omce said, 'There is no excuse for literary
criticism'.'
Richard Caddel, Durham University Journal
`Makin shows that Bunting managed to combine modernism with a
concern for the matter of England, a standing rebuke to the
little-England tradition represented by Philip Larkin. His book
should be welcome both to scholars and to poets.'
Lachlan MacKinnon, Times Literary Supplement
'brilliant, readable and indispensable book ... As a book to
re-read and ponder over it is a must for any self-respecting
academic library whether personal or institutional. For Basil
Bunting there was no Secret to be grasped: understood, things would
not be found to resolve to One Centre. The world 'of daylight and
full consciousness is, above all, opaque and complex' and it is
through these interwoven complexities that Peter Makin so
excitingly guides
us.'
Ian Brinton, The Use of English, Volume 44, Number 1, Autumn
1992
'... superior full-length critical study ... many footnotes contain
essential new material that helps understanding of the poems ... A
student reading this book for information and opinion on a certain
Bunting poem will find it. A professional scholar of literary
modernism and British poetry will find documentary completeness,
admiarable integration of work and life, and thoughtful
context-building on the art and history of the neglected
north.'
Donald Wesling, University of California, San Diego. Modernism 1:2
5/94
'... erudite survey ... Makin's impressive knowledge of Pound's
work enables him to comment authoritatively on Bunting's divergence
from Pound's political views.'
Alan Robinson. Review of English Studies Vol 45. No 179 Aug '94
`one of the best books of literary criticism I have ever read ...
The book's thoroughgoing intelligence is born from love of its
subject-matter, not from cleverness or fashionablenmess, though it
is certainly clever as well, and it is far from old-fashioned.'
Times Literary Supplement
|
Ask a Question About this Product More... |
|
