A multi-award-winning director of theatre and opera, over the past decade, Andrews has built up a remarkable and singular body of work in Australia and Europe. His work has been described as visionary and praised for its innovative staging, arresting visual style and visceral performances. Includes the plays Like a Sun, Every Breath, Dream Girl and Geronimo.
A multi-award-winning director of theatre and opera, over the past decade, Andrews has built up a remarkable and singular body of work in Australia and Europe. His work has been described as visionary and praised for its innovative staging, arresting visual style and visceral performances. Includes the plays Like a Sun, Every Breath, Dream Girl and Geronimo.
Four original plays by internationally renowned playwright, poet, director and filmmaker Benedict Andrews.
Benedict Andrews’ previously published work includes versions of Chekhov’s The Seagull (Belvoir St, Sydney) and Three Sisters (Young Vic). With Andrew Upton, he co-translated Genet’s The Maids for production at Sydney Theatre Company and on Broadway for the Lincoln Center Festival. He collaborated with Tom Wright on adapting Shakespeare’s Histories for the marathon cycle The War of the Roses for the 2009 Sydney and Perth Festivals. He also adapted, with Beatrix Christian, Calderon de la Barca’s Life is a Dream. Benedict’s first collection of poetry Lens Flare was published by Pitt Street Press in 2014. Every Breath was translated by Jorge Silva Melo for a production in Lisbon in 2013 and was nominated for Time Out Lisbon’s Best Play award.
'Everyone wants to work with him … He shakes up a company with his
energy. His rehearsal rooms are muscular – brutal, even – but he
loves being surprised … he has an incredible visual sense and he
can wrestle any text to the ground.'
*Cate Blanchett on Benedict Andrews Sydney Morning Herald*
Benedict Andrews is one of the original imaginations of Australian
theatre. For ten years now he has been applying his complex
startling vision to some of our dramatic literature, as well as
illumination new writing, both nationally and internationally. His
work is marked by the intense and fragile beauty of its imagery and
the sense of deep metaphor lying beneath the narrative surface. In
an artform that needs to be both popular and pragmatic, Benedict
manages to remain that rare thing: a poet.’
*Neil Armfield*
‘A bracingly original vision: [Andrews] turns the play inside out,
bashes it around, and drops in anachronisms, yet his approach
yields revelatory results... moving and absorbing’
*Evening Standard on Three Sisters*
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