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"I drink, I hurt myself and the people around me, and then I write." Brett is in Central America, away from her husband, when she begins a love affair with his friend, Eduard. Tragedy and comedy are properly joined at the hip in this loosely autobiographical book about infidelity, drinking, and the postponing of repercussions under the sun. Though coming undone is something we all try to avoid, Martin reminds us that going off the rails is sometimes a part of the ride.
"I drink, I hurt myself and the people around me, and then I write." Brett is in Central America, away from her husband, when she begins a love affair with his friend, Eduard. Tragedy and comedy are properly joined at the hip in this loosely autobiographical book about infidelity, drinking, and the postponing of repercussions under the sun. Though coming undone is something we all try to avoid, Martin reminds us that going off the rails is sometimes a part of the ride.
Clancy Martin is a Canadian philosopher, novelist, essayist and translator. His debut novel How to Sell (Farrar, Straus and Giroux) was a Times Literary Supplement "Best Book of 2009", and a "Best Book of 2009" for The Guardian, Publisher's Weekly, The Kansas City Star. He is a Guggenheim Fellow, and is a contributing editor at Harper's Magazine. He is Professor of Philosophy at the University of Missouri in Kansas City, and is Professor of Business Ethics at the Bloch School of Management (UMKC). His writing has appeared in Harper's, The New York Times, The Wall Street Journal, The London Review of Books, The Atlantic, The Times Literary Supplement, Ethics, The Journal of the History of Philosophy, GQ, Esquire, Details, Bookforum, Vice, Men's Journal, and many other newspapers, magazines and journals, and has been translated into more than thirty languages. He has also won DAAD Fellowships and the Pushcart Prize. He just published a book of essays with FSG called "Love and Lies." He has three daughters, Zelly, Margaret and Portia. He is married to the writer Amie Barrodale.
Praise for Bad Sex: "I loved this novel. It's dark and sexy and
unrepentant. The story of a relapsed alcoholic having an affair. No
more and no less. Brett is a flinty character. The narrative voice
is spectacular." -Roxane Gay, author of Bad Feminist "Laugh-aloud
funny...painfully honest." -The New York Times "[Martin] wants to
question our assumptions, and his own, about what love means, how
it operates, the demands of living for other people and living for
ourselves." -L.A. Times "Bad Sex is great fun." -BookForum
"Martin's short, darkly comic novel is a glorious descent into
destructive indulgence." -Interview Magazine "A great book of bad
behavior." --Publishers Weekly "Bad Sex is a taut, fast-paced read
about the intricacies of love and the inability to decide and then
deal with the consequences of our indecisions/bad decisions. Martin
is a master of the candid, brutally honest approach, and his skills
are in full swing in this short, humorous, and somewhat gloomy
novel." -Vol.1 Brooklyn "Martin manages to elegantly imbue his
simple little book with complex insights and layers of meaning.
That is the novel's chief pleasure: knowing it should be so bad,
but finding it so, so good." -Electric Literature "One thing I
really like about the book is how fun and quick a read it is, on
one hand, and how nuanced and careful it is on the other." -Adult
Mag "Clancy Martin's tense, beautiful new novel Bad Sex navigates
the emotional nuance in loving two people but not yourself, a
conscious spiral of little bad decisions that can define the course
of a life." -The Kind "Bad Sex is the kind of story that punctures
the deepest recess of your psyche, only to realize, 'Dear God,
there are others out there like me.' And this notion, like the
novel, is equal parts terrifying and comforting." -Entropy Magazine
"[Bad Sex] records the spiral, the ripple effect, of transgressive
behavior, the way that once we slip the bounds of propriety, it can
be ever more difficult to find a passage back." -Portland Press
Herald "BAD SEX is like a diamond, cut clean, dangerously sharp,
brutally hard and yet paradoxically beautiful, ruthlessly honing in
on the plight of a woman caught in the throes of alcoholism,
desire, marriage and adultery. Like Camus in The Stranger, Martin
digs into the philosophical through precise narrative, exposing the
big questions for the reader to answer."
-David Means, author of Assorted Fire Events and The Spot "A
flushed and riveting account of some desperately, deliciously bad
choices." --Daniel Handler, author of the national bestseller, We
Are Pirates "Money, sex and deception is an irresistible
combination, and "Bad Sex" is un-put-downable. Brett is a lovable
heroine--a lusty, wrongheaded writer, flawed and rueful, yet
charging ahead. She wants everything she knows is bad for
her--alcohol, drugs, and to have violent, lurid sex with her
husband's rapscallion banker--and we root for her all the way."
-Rebecca Curtis "Read in one sitting. Or drank. Or inhaled." -Wendy
Ortiz "Tension creates its own pleasure, & Martin is a master at
it." -San Diego City Beat "I loved this book through and through."
-Culture Vultures "When the blackouts arrive you should take cover.
Heavy cocktails flood the novel and it is a glorious ride. I think
you will like, dare I say love this book, but it is a lot like
watching your skydiving partner step out at twenty thousand feet
sans parachute." --Three Guys One Book Praise for the work of
Clancy Martin: "A revelatory, sometimes disturbing, look at the
many stages of love, an elephant-in-the-room topic that rarely gets
such in-depth treatment." -Salon "A central pleasure of Love and
Lies--an unsettling one at times--is realizing, I know that
fantasy; I've been burned by that hoodwink; or, I told my man an
equally selfish lie yesterday." -ELLE "'Love and Lies' is a delight
to read. Martin is erudite without being pedantic, and when he
slips into raconteur mode the book adopts a conspiratorial tone."
-The Boston Globe "With engaging prose, genuine insight and often
hilarious stories, Clancy Martin uses the best writers among
philosophers--like Plato, Kierkegaard, Nietzsche and
Bonhoeffer--and the best philosophers among writers--like
Shakespeare, Proust and Adrienne Rich--to show us that intimacy and
eros are much more complex and deceptive than most of us would like
to admit. Perhaps paradoxically, this is one of the most honest
books I have read about love." --Simon Critchley, author of The
Book of Dead Philosophers "Martin has a poetic sensibility. . . .
He gives a mesmerizing appeal to the setting of an alexandrite
necklace and the delicate artistry involved in shaping a diamond."
--The New Yorker "How to Sell is a bleak, funny, unforgiving novel.
It's a little like Dennis Cooper with a philosophical intelligence,
or Raymond Carver without hope. But mostly it's like itself. It is
about how we buy and sell everything--merchandise, drugs, sex,
trust, power, peace of mind, religion, friendship, and each other.
It's written extremely finely, with wit and enviable self-control.
A genuinely fresh, disconcerting voice." --Zadie Smith "Crisp,
cinematic . . . Martin writes with no-nonsense punch, detailing the
schemes--fake certificates, 'antiques'--shady jewelers have been
running for centuries. If the sentences in How to Sell feel
lived-in, well, that's because the author himself is a former con
man, borrowing liberally from the gem-scam life before going
straight (He's a philosophy professor now; go figure.) By the time
you're hooked on the book's insidious plot twists, concerning
sibling rivalry and a meth-addicted mistress who sleeps better
hooking than she does selling Faux-lexes, you're blissfully unaware
you're downing a metaphor: No commission can buy you a soul."--Adam
Baer, GQ
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