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Answers from "the Working ­Actor"
Two Backstage Columnists Share Ten Years of Advice

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Format
Hardback, 358 pages
Other Formats Available

Paperback : £24.74

Published
United Kingdom, 27 March 2018

For nearly a decade, Jackie Apodaca and Michael Kostroff shared duties as advice columnists for the actors' trade paper, Backstage. Their highly popular weekly feature, "The Working Actor," fielded questions from actors all over the country. A cross between "Dear Abby" and The Hollywood Reporter, their column was a fact-based, humorous, compassionate take on the questions actors most wanted answered. Using some of their most interesting, entertaining, and informative columns as launch points, Answers from "The Working Actor" guides readers through the ins and outs (and ups and downs) of the acting industry.

Apodaca and Kostroff share an approach that is decidedly "on the ground." They've both labored in the trenches just like their readers-dealing with auditions, classes, photos, resumes, rehearsals, contract negotiations, representatives, jobs, challenging colleagues, and the search for that elusive life/career balance. There are few absolutes in the acting profession and virtually no proven and reliable steps. Unlike books that claim to offer "Quick Steps to a Successful Acting Career," Answers from "The Working Actor" deals honestly with the realities, providing facts, options, strategies, stories, points of view, and the wisdom of experience, while ultimately challenging readers to make their own decisions. This book will give new actors a head start on their journeys and remind experienced professionals that, in the acting business, there is never only one answer to any question.

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Product Description

For nearly a decade, Jackie Apodaca and Michael Kostroff shared duties as advice columnists for the actors' trade paper, Backstage. Their highly popular weekly feature, "The Working Actor," fielded questions from actors all over the country. A cross between "Dear Abby" and The Hollywood Reporter, their column was a fact-based, humorous, compassionate take on the questions actors most wanted answered. Using some of their most interesting, entertaining, and informative columns as launch points, Answers from "The Working Actor" guides readers through the ins and outs (and ups and downs) of the acting industry.

Apodaca and Kostroff share an approach that is decidedly "on the ground." They've both labored in the trenches just like their readers-dealing with auditions, classes, photos, resumes, rehearsals, contract negotiations, representatives, jobs, challenging colleagues, and the search for that elusive life/career balance. There are few absolutes in the acting profession and virtually no proven and reliable steps. Unlike books that claim to offer "Quick Steps to a Successful Acting Career," Answers from "The Working Actor" deals honestly with the realities, providing facts, options, strategies, stories, points of view, and the wisdom of experience, while ultimately challenging readers to make their own decisions. This book will give new actors a head start on their journeys and remind experienced professionals that, in the acting business, there is never only one answer to any question.

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Product Details
EAN
9780415394420
ISBN
0415394422
Dimensions
22.9 x 15.2 x 2.1 centimeters (0.61 kg)

Table of Contents

Acknowledgments

Preface

Starting Out

Training and Craft

Where to Live

Marketing: Branding

Marketing: Materials

Marketing: Promotion and Networking

Auditions and the Casting Process

Agents and Managers

Unions

Scams, Shams and Ripoffs

On the Job

Financial Matters

Ethics and Etiquette

Sticky Situations

Personal Relationships and Family Matters

The Nature of the Career

Closing Thoughts

Appendix

Recommended Reading

Index

About the Author

Jackie Apodaca is a professor of theatre at Southern Oregon University. She has worked as an actor, director, and producer in theatre, film, and media, with companies such as the Roundabout, Denver Center, National Geographic, filmscience, Modern Media (head of production), Venice Theatre Works (associate artistic director), Shakespeare Santa Barbara (producing director), and Ashland New Plays Festival (associate artistic director). She spent more than a decade at Backstage, where she was a contributing editor and wrote the advice column "The Working Actor." Jackie earned an MFA from the National Theatre Conservatory, under the guidance of RSC founding member, Tony Church.

Michael Kostroff is an established actor best known for his five seasons on HBO’s The Wire and a long list of other television roles. He’s toured nationally in The Producers and Les Misérables, an experience which he chronicled in his book, Letters from Backstage (Allworth Press, 2005). From 2006 to 2012, he shared writing duties with Jackie Apodaca on Backstage’s advice column, "The Working Actor." A teacher as well as an actor and writer, he’s presented his popular Audition Psych 101 workshop all over the country, and recently authored a book by the same name (Dog Ear Publishing, 2017).

Reviews

'When natural disasters strike, the world's attention becomes focused on the human tragedy that ensues, and the international community mobilizes to get emergency relief to the affected areas. All too often, though, the TV cameras leave, sympathy fatigue sets in, and the world's attention shifts to the next crisis, leaving the victims to rebuild at best they can. Claire Apodaca shines a light on one troubling phenomenon that occurs in the aftermath of some of these events: the rise in repression and human rights violations by the government of the affected nation. Apodaca painstakingly traces out a causal process by which dissident movements can arise in the aftermath of natural disasters, the types of regimes under which such movements are likely to arise, and how, when faced with such challenges, which regime types are likely to respond with repression rather than some form of accommodation. Her analysis reveals that NGOs play a crucial role in this process by enabling affected populations in solving the collective action problems that, amid the conditions of a natural disaster, would otherwise preclude social movements by those most affected by the disaster but least served by the emergency aid from the international community. The story is compelling and the empirical tests are rigorous and convincing. This is an important work that creates an intersection between such diverse fields as human rights and state repression, social movements, and emergency management.' - T. David Mason, Castleberry Peace Institute

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