The first authorized biography of the avant-garde punk writer Kathy Acker, a legend in her own time, by the author of the bestselling I Love Dick
Rich girl, street punk, lost girl and icon ... scholar, stripper, victim and media-whore- The late Kathy Acker's legend and writings are wrapped in mythologies, created mostly by Acker herself. In this first, fully authorized biography, Kraus approaches Acker both as a writer, and as a member of the artistic communities from which she emerged. At once forensic and intimate, After Kathy Acker traces the extreme discipline and literary strategies Acker used to develop her work, and the contradictions she longed to embody. Using exhaustive archival research and ongoing conversations with mutual colleagues and friends, Kraus charts Acker's movement through some of the late 20th century's most significant artistic enterprises.
The first authorized biography of the avant-garde punk writer Kathy Acker, a legend in her own time, by the author of the bestselling I Love Dick
Rich girl, street punk, lost girl and icon ... scholar, stripper, victim and media-whore- The late Kathy Acker's legend and writings are wrapped in mythologies, created mostly by Acker herself. In this first, fully authorized biography, Kraus approaches Acker both as a writer, and as a member of the artistic communities from which she emerged. At once forensic and intimate, After Kathy Acker traces the extreme discipline and literary strategies Acker used to develop her work, and the contradictions she longed to embody. Using exhaustive archival research and ongoing conversations with mutual colleagues and friends, Kraus charts Acker's movement through some of the late 20th century's most significant artistic enterprises.
The first authorized biography of the avant-garde punk writer Kathy Acker, a legend in her own time, by the author of the bestselling I Love Dick.
Chris Kraus is the author of I Love Dick; Aliens and Anorexia; Torpor; Summer of Hate and two books of cultural criticism. She was a 2016 Guggenheim Fellow and teaches writing at European Graduate School.
This is a gossipy, anti-mythic artist biography which feels like
it's being told in one long rush of a monologue over late-night
drinks by someone who was there. Acker emerges as an unlikely
literary hero, but an utterly convincing one.
*Sheila Heti, author of How Should A Person Be*
The path of the female artist. Is hell. Chris Kraus's veracious and
intricately structured portrait rouses and stirs as it documents in
meticulous and fascinating detail the life, work and body of Kathy
Acker and what it takes to a become a 'great writer as
countercultural hero.'
*Viv Albertine*
Kraus reconstitutes Acker's wanderings with real wit and beauty,
understanding without pandering to the painfully high stakes of her
identity games
*Guardian*
To pin down the real Kathy Acker then is a self-defeating task but
Chris Kraus's biography of her is a brilliant and necessary thing.
Kraus pushes Acker's writing to the foreground making us understand
how difficult a territory the so-called avant-garde was, and is,
for a woman.
*New Statesman*
'To lie is to try,' Chris Kraus writes in this examination of the
various personae of Kathy Acker, the fucked-up girl from high
school who, through lying and trying, became an experimental writer
of rare courage and vision. In some ways a contemporary and in some
ways as far off as the days when people moved to New York and San
Francisco for the cheap rent, Acker needed a key, and Chris Kraus
provides it.
*Ben Moser*
Chris Kraus's After Acker sets the bar for what will surely be a
new era of critical and biographical reckoning with the life and
work of Kathy Acker. Kraus had a ringside seat, has done her
homework, and here provides a substantive effort to pay homage not
only to the complex, singular, raucous, and crucial writer and
human that Acker was, but also to the constellation of artists,
musicians, writers, and thinkers who were her friends, lovers,
inspirations, and fellow makers of history.
*Maggie Nelson*
Hardly anyone writes better or more insightfully than Chris Kraus
about the lives of women and artists. After Kathy Acker is an
intense, riveting portrait of a writer who was raw and savvy,
fragile and brilliant, whose self-deceptions were inseparable from
her greatness. Quotes from her profane and passionate journals
reveal Kathy the crazy poet, the bad girlfriend, the Upper East
Side schoolgirl, the downtown writer, Kathy in love and in denial.
Gossipy, sexy, tragic, terrific.
*Julie Phillips, author of The Double Life of Alice B. Sheldon*
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